马克·詹金导演执导的《诱饵2019》，2019年上映至今获得了不错的口碑，由Morgan Val Baker,Georgia Ellery,Martin Ellis,Chloe Endean,Stacey Guthrie,Jowan Jacobs,Giles King,Edward Rowe,西蒙·谢泼德,特里斯坦·斯特罗克,Mary Woodvine等主演的一部不错的剧情片。

诱饵2019剧情：

　　康(kāng )沃尔(⛲)渔村的风景明信(xìn )片(🍩)田园诗误导了人们。虽然过去(qù )钓(🎺)鱼是一(yī )种养家(🐉)糊口(🌰)的方式，但(🐮)如今(💤)富有的(de )伦(🌫)敦游客纷纷下山，取代了当地(⚫)人(🐿)，当地(👑)人的生计因(🎡)此(cǐ )(🕖)受到威胁(xié )。史(shǐ )(🔲)蒂文和(🚉)马丁兄弟的关(📞)系也很紧张。马丁(dīng )是(😻)一个没有船的渔夫，因为史蒂(dì )文开(kāi )始(shǐ )(📎)用它来为一(🌚)整天的游客提供更(gèng )(❔)赚钱的(de )旅游(yóu )。他们(🥔)卖掉(diào )了这座(zuò )家庭别(bié )墅，现(xiàn )(🤸)在(zài )看来，最(🙀)后一场战(zhàn )斗是和(🍄)新主(🥫)人(🤷)在(👃)海边(🔔)的停车(chē )位(wèi )上展(zhǎn )开(kāi )。然而，情况很(hěn )快就失(shī )(🧣)控了(le )(⚾)，而不仅仅是因为车轮夹钳(qián )。
　　(😊)Bait是(🌹)一(yī )种(🐨)黑白，手工制作，16毫米胶(jiāo )片制作的电影(yǐng )。许多关于鱼(🤥)、网、龙虾(xiā )、(📸)长靴、绳(shéng )结和渔篮的特写镜(🚲)头让人(🌂)想起了蒙太(tài )奇景点的(🔥)理(🚡)论。对不同社会(huì )(🍁)阶层的描述——(📤)可以说是阶级关系(👩)——也让人想起了英国(guó )电影(🚩)中(zhōng )的社会现实主义传(chuán )统。然而(🔬)，最重要的是(shì )，在影像(💛)中不同(tóng )层(⛅)次(cì )(🏡)的电影(🈸)历史参考文献(xiàn )之下，当前许多政治关联正在(zài )等待被发(🍝)现。
　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.
　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

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