《自(zì )拍》是(🐽)16岁的(🏽)戴维德·比福尔(😘)科(kē )(🕟)（DavideBifolco）一案的独特记录，他在特(tè )雷亚诺的那(🎏)不勒斯(sī )（NeapolitanDistrictofTraiano）被(bèi )(🛺)一名宪兵射杀。为(wéi )了(le )(🙁)了解一(yī )个经常被描绘成贫民区和“卡莫(📎)拉”据点的街(jiē )区，以(yǐ )(⏯)及(jí )戴维德死亡的情况(🌊)，导演Agostino Ferrente寻找戴维德的朋友，并会见了(le )Pietro和Alessandro。在这部(bù )电影的(🈁)序言中(zhōng )，有(yǒu )人听到他在(zài )摄影机前(😊)问(wèn )，“告(gào )诉我(⛏)你(🐨)的友(🥋)谊”，这揭示(🚶)了(💹)他(tā )对(🐩)这个一(yī )贯(guàn )合作(zuò )(💿)的纪(jì )实小说项目的态度(📛)。他(tā )让(💏)孩子们带(👵)上手机和(🐞)麦克风，把他们的日(🔙)常生活记录成一部(🔥)“自(zì )拍(📞)”电(🏓)影，无论他(tā )(👛)们是(shì )骑(👗)着摩托车，在海滩上，和朋友一起玩(wán )(✖)，还(💑)是在厕所(🚩)里。在一个自(zì )我戏(xì )剧化(👅)经(🈳)常(🐈)成为产品的时(shí )(🈂)代(🚪)，这(🐱)是(🖱)一(💛)种完美的(de )形(xíng )式。其(qí )结(🙅)果是(🛌)一幅(🕵)令人印象深刻(kè )的(de )拼贴(tiē )画，无论是视觉上还是在电影的音轨上，都是关于青春期；关于你的背(bèi )景决定你未来的生活；关于国(🏒)家(jiā )专制；关于(yú )愤(fèn )怒(nù )和悲伤，但(dàn )最重要的是，在(🏓)一(yī )个坚韧统治的男性世(🥈)界(jiè )(🦀)里，一段温柔的童年友(🎛)谊。
　　Selfie is a unique record of the case of 16-year-old Davide Bifolco, who was shot dead by a carabiniere in the Neapolitan district of Traiano. To understand a neighbourhood often portrayed as a ghetto and ‘Camorra’ stronghold, as well as the circumstances of Davide’(🏇)s death, director Agostino Ferrente seeks out Davide’s friends and meets Pietro and Alessandro. In the film’s introduction he is heard asking off-camera, ‘tell me about your friendship’, which reveals his approach to this consistently collaborative documentary-fiction project. Equipping the boys with a mobile phone and a microphone, he asks them to document their everyday lives as a ‘selfie’(🐆) film, whether they are riding a scooter, at the beach, hanging out with friends or on the toilet. This turns out to be the perfect format in an age where self-dramatisation often becomes a product. The result is an impressive collage, both visually and in the film’s audio track, about adolescence about lives where your background determines your future about state despotism about anger and grief, but above all about a tender boyhood friendship in a male world in which toughness reigns.